Encyclopedia

" 1 7 A B C D E F G H I J K L M N O P Q R S T U V W Z
Taline Mooshian
0 238

Taline Mooshian

Taline Mooshian is a senior investigator at the Complex Investigations Taskforce in Cascadia. She is a Cascadian…

Self-Portrait 13 by Tatiana Aediles
0 271

Tatiana Aediles

Tatiana Aediles is an Australian painter of great renown, especially prized for her depictions of the Empresses…

0 258

Temnota

Temnota (темнота), literally meaning “Darkness”, is the internal and external security force of the Russian Imperium. It…

0 176

Tenasnah

The Tenasnah, literally “small look” in Chinook, is a microscope invented by Sahalie in Cascadia and used…

0 344

Teodósio

This article refers to the City. For the Emperor of Brazil, please refer to Teodósio the First….

0 77

The Bello-Bolivarian System

The Bello-Bolivarian political system became a model studied worldwide. Hallmarks include: Regional autonomy balanced with strong federal…

0 427

The Black Rabbit

The Black Rabbit is a mythical creature, sometimes also referred to as The Empire Rabbit, The Great…

0 197

The Chaparral

The Chaparral is the name of the southwest-American colony of the Empire of Australia. The The Chaparral…

A vintage illustrated movie poster for the 1954 animated Gothic thriller “The Clockwork Children.” The poster, in black, white, and red, depicts a pale young girl sitting stiffly in a wooden chair with a giant red wind-up key protruding from her back. Her blank eyes stare forward. A governess holding a lantern shines light on the child, while behind them looms a shadowy Gothic cathedral. The tagline reads, “Do you know if your children are truly your own?” The title appears in bold serif letters at the bottom, with credits to Alfred Hitchcock, Edward Gorey, and Bernard Herrmann, and a warning: “Not recommended for the young or the faint of heart.”
0 12

The Clockwork Children

The Clockwork Children (1954) is a chilling animated collaboration between Alfred Hitchcock and Edward Gorey, blending Gothic horror with psychological suspense in a tale of innocence replaced by machinery. Set in a decaying Austro-Hungarian orphanage, the film follows a governess who uncovers a conspiracy to replace real children with mechanical doubles. Combining Gorey’s unsettling visual style with Hitchcock’s mastery of tension, the film is remembered as the first true “animated Gothic thriller.” Though controversial upon release, it later achieved cult status, particularly in Cascadia, and remains a cornerstone of mid-century experimental cinema.

The Complex - Pørtland's Favorite Dance Club
0 334

The Complex

A dance and social club in Pørtland, Cascadia.

0 266

The Dakar Incident

The Dakar Incident refers to a series of events in Dakar, Union of West African States in…

0 233

The Dead Loon

The Dead Loon is a tap house off the Grand Concourse with a reputation as being a…

The Death of Hercules
0 240

The Death of Hercules

The Death of Hercules is a painting by Spanish painter Francisco de Zurbarán. After her conquest of…

A vintage illustrated movie poster for “The Dollmaker’s Funeral,” drawn in Edward Gorey’s cross-hatched Gothic style with a palette of black, white, and blood red. At the center, a coffin holds the body of Ernst Vogel, the dollmaker, surrounded by rows of eerie, wide-eyed dolls seated stiffly in the decaying manor. A mourner in a dark coat and hat holds a lantern, casting an ominous glow. In the foreground, a small doll-like girl clutches a red mask, staring directly at the viewer. The tagline across the top reads: “WILL YOU RECOGNIZE YOURSELF AMONG THE DOLLS?” At the bottom, the title and credits appear in bold type: “The Dollmaker’s Funeral – An Animated Gothic Thriller – Alfred Hitchcock & Edward Gorey – Music by Bernard Herrmann – Not Recommended for the Young or the Faint of Heart.”
0 10

The Dollmaker’s Funeral

Released in 1960, The Dollmaker’s Funeral is the third and final film of The Mechanist’s Curse Trilogy, cementing Hitchcock and Gorey’s reputation as architects of animated Gothic terror. Set within a crumbling manor where mourners gather for a reclusive artisan’s funeral, the film transforms grief into grotesquerie as guests are absorbed into the dollmaker’s eerie collection. Herrmann’s mournful score and Gorey’s etching-like visuals intensify the atmosphere of dread, while subtle references to “The Engineer” suggest his unseen hand guiding the horrors. Long regarded as the trilogy’s most commercially successful entry, the film is remembered for its haunting exploration of death, memory, and legacy.

The Fall of Minoa
0 205

The Fall of Minoa

The Fall of Minoa refers to a famous artwork depicting the destruction by a tsunami of the…

The Farm, Josephine Imre's Estate in Pørtland Cascadia
0 255

The Farm

The name for Josephine Imre’s estate, the headquarters of her movement Purity.

0 165

The Gardens of New Bordeaux

In Décret 2985, Eleanor the Thirtieth decreed that a large garden would be created for the enjoyment…

0 166

The Grand Bargain (Australia)

The Grand Bargain refers to the deal allegedly made by Eleanor of Aquitaine and the Black Rabbit….

0 250

The Grand Bargain (France)

The Grand Bargain refers to Napoleon the First’s deal with the Austro-Hungarian Empire. This deal guaranteed the…

An invitation to the The Howling Claw Supper Club
0 368

The Howling Claw Supper Club

In April 1886, Cascadian John Sparrow created The Howling Claw Supper Club. A successful restauranteur, Sparrow’s previous…

train near trees inside building with indoor waterfalls
0 306

The Hub

The city of Pørtland’s transportation centre, the Hub is a massive structure that melds nature with technology…

An architectural drawing of the Cascadian Long House.
0 224

The Long House

The Long House is the physical seat of government for the Independent Sovereignty of Cascadia. The massive…

0 352

The Long Winter

The period generally referred to as The Long Winter was the time after the explosion of Mount…

A vintage illustrated movie poster for “The Marionette’s Lament,” in Edward Gorey’s Gothic cross-hatched style with black, white, and red accents. At the center, a wide-eyed marionette girl dangles from strings, her limbs jointed like a doll’s. To the left, a sinister puppeteer looms, pulling the strings with claw-like hands. To the right, a frightened woman peers from behind a curtain, holding a lantern that casts an eerie glow. Heavy red text at the top asks: “DO YOU TRUST WHO PULLS THE STRINGS?” At the bottom, the title reads: “The Marionette’s Lament – An Animated Gothic Thriller – Directed by Alfred Hitchcock & Edward Gorey – Music by Bernard Herrmann – Not Recommended for the Young or the Faint of Heart.”
0 12

The Marionette’s Lament

The Marionette’s Lament (1957) is the second installment in what later became known as The Mechanist’s Curse Trilogy, continuing the macabre collaboration of Alfred Hitchcock, Edward Gorey, and Bernard Herrmann. Set in the theaters of New Amsterdam, the film follows a young stagehand who uncovers the disturbing truth behind a puppeteer’s lifelike marionettes. Building on the themes of corrupted innocence introduced in The Clockwork Children (1954), the film deepens the trilogy’s whispered mythology with hints of a sinister figure known only as “The Engineer,” weaving psychological suspense with grotesque artistry in what critics hailed as a “danse macabre of the stage.”

0 267

The Mark Marvel Show

The Mark Marvel Show is a business and economics Farnsworth show starring financial whizbang Mark Marvel. 827…